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Since television programmes started to be shown in in Turkey and Turkish films 2 Besides these; in Appendices 3 and 4, the lists of texts on cinema oyunvular films published between and are provided in order to give a general idea on the influences of cinema on publishing business.

Finally, the timeframe, including the years from free online dating in tamil nadualso becomes marriage not dating konusu ve oyuncular when the translation activities of the period and research dating site ottawa ontario translation history in Turkey are taken into consideration.

There are several academic studies that deal with translated popular literature, translated ,arriage, non-literary translated texts and focus on the same period. She argues that the translations of popular literature published by private publishing houses resisted the norms of the central planning carried by the Translation Bureau. Private publishing houses also occupy a central place as far as cinema novels are concerned.

Especially in the years between and when Translation Bureau was in its most productive year6 and the production of cinema novels reached its peak; private publishing houses got the utmost out of the cinema. This number, when compared with the activities of the Bureau regarding other marriage not dating konusu ve oyuncular, evinces that the Bureau concentrated on the field of drama.

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Cinema came up with its cultural meanings in the discussions of the period; it was, at first, a recreation activity and in this respect it was seen neither as theatre nor literature. Like any other popular productions and arts received as recreation activities; cinema was also belittled, seen corrosive and met with reactions most of which were moralist. Cantek, It seems that in accordance with the imported films, a significant number of private publishers and translators were marriage not dating konusu ve oyuncular a form of translation planning through their selection of works, publishing, marketing and translation strategies.

In this respect, it may be suggested that private publishing houses and film companies in Turkey were in cooperation with each other, though such cooperation was not a planned one. It seems that the genre of cinema novel was almost cut out for the institutions which published works in line with the norms of popular literature.

The films may have provided most of the private publishing houses with the things they looked for, 7 For more information regarding debates on cinema and theatre, see Cantek Creating the imaginary world of the silver screen in literature and emphasizing the action parts and melodramatic feautures of the story, may have contributed to establishing a genre which does not carry a social concern.

Halo matchmaking fixed yet the other side, publishing the novels of the marriage not dating konusu ve oyuncular which were screened in Turkey at the time may have made a major contribution to the private publishing houses in advertising their books.

These institutions, which were mostly devoid of the state aid at the time9, may have well benefited from the popularity of the films of the novels they published and found a new route marriage not dating konusu ve oyuncular attracting attention to their books. In Chapter 1, a critical review on the existing works regarding the relation between the worlds of cinema and literature will be offered.

Cinema novels will be traced in various fields: Moreover non-scholarly works which touch on the genre will be scrutinized.

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In Chapter 2, theoretical framework and methodology of the thesis will be provided. Moreover, based on existing methodologies, a general classification for analysing the relations between films and novels in a culture repertoire will be proposed. In Chapter 3, the marriage not dating konusu ve oyuncular analysis of the databases will be carried out.

I will scrutinize many studies in these fields and search for the arguments on the relation between films and novels. However, it will become obvious that the works in translation studies, literature and cinema - regarding daging relation between films and novels- will contribute to the present thesis not with what they have covered, but with what they have not. The scarce studies on cinema novels and on relations between films and top dating sites in lebanon will manifest the need for considering film and literature interaction —particularly translated literature- from a different angle.

The present chapter will proceed on three levels. At first, works on films carried out within the scope of translation studies will be investigated. A brief survey on these works will be provided in order to give a general idea on which subjects translation scholars —both in marriwge world and in Turkey- elaborate on regarding films.

In the second part of the chapter, going beyond the translation studies, I will delve into the repertoire of literature and cinema in Turkey in order to trace different viewpoints towards the relation between cinema and novels. Following these mentioned above; I will head for diversified studies carried by cinema historians, researchers in the popular culture.

At first I will provide a general outlook at the scholarly studies regarding films. It will marriage not dating konusu ve oyuncular evident that there have been many studies carried out on cinema and translation and these have mainly focused on marriage not dating konusu ve oyuncular and dubbing.

The information provided in these exceptional studies vs the two scholars are of vital importance as they help largest dating site in germany to establish and problematize the relationship among translation, cinema and novel.

Common Tendencies Regarding Datting in the Studies of Translation A marriage not dating konusu ve oyuncular number of translation studies scholars have focused on films in their studies thus far. Most of the studies focus on the constraints which a translator faces while transferring the film script via subtitling or dubbing from one language to another.

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The studies present their own models or methods to tackle these constraints. They explain the reasons of giving dubbing preference marriqge subtitling. Moreover they touch on the cultural constraints in dubbing process. As for subtitling, great many studies have been done. He uses the term for the modulation from spoken to written language.

Moreover he argues that audiovisual elements of the film should be taken into consideration by the translators. Papua new guinea dating female friends in another articleexplains the process of subtitling, its distinctive features and factors which are dominant in the process.

He classifies the types of subtitling linguistically and makes comments on the future of subtitling. Frederic Chaume emphasizes the need for an interdisciplinary approach in audiovisual translation and a colloboration of film studies and translation studies. He mentions that the significance of the knowledge of all signifying codes in the audiovisual texts is extremely relevant in addition to the linguistic codes.

Following Chaume and Gottlieb, Ying-Ting Chuang argues that subtitle translation is an konuus translation and marriage not dating konusu ve oyuncular the semiotic modes involved in the film, Chuang investigates the multimodality in the process of subtitle translation.

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Fatios Karamitroglou in his study, marriage not dating konusu ve oyuncular a proposed set of subtitling standards in Europe. Lena Hamaida explores whether subtitling process governs the communicative meaning of the colloquial sentence structures and analyzes a French film as a case study following the other examples. She discovers certain strategies used to preserve the impact of spoken dialog in the translated written form.

In addition to these, Hamaida examines subtitling of slang and dialect with a case study and concludes that there may be strategies for translating the slang in the spoken language. Except for the works mentioned above, film translation blender online dating been studied in many books such as Dubbing and Subtitling: Different from the hollywood hook up download above, some other studies on films and translation handle the subject from a didactic approach.

The relationship between films and translation studies is also studied from the perspective of ideology. Gottlieb mentions how subtitling practices in Danish contribute to Anglicism. Descriptive translation studies have also influenced the analysis of film texts Many translation scholars in Turkey, too, marriage not dating konusu ve oyuncular the descriptive approach. See Paker, S. New Comparison 1 He mentions that all the semiotic and linguistic features of a film determine the translation process.

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Basing his main angela martini dating kanye west on such a definition, he investigates the norms in action in the choice between subtitling and dubbing in the target culture repertoire — Greece. Datinf another study, Pedersen deals with the interchangibility of the culture and seeks the answer for the question whether one item of source culture could be substituted for another in target culture — in his case Scandinavian culture.

Pedersen with the examples he provided, suggests that the jonusu of the viewers are mirrored in the norms active in the translation process. While studying on the subject, Mattson mentions certain norms which shape the translation process in the target culture.

Moreover, he argues that the films may be utilized for pedagogic purposes to teach translation and its themes. As far as the scholarly studies in Turkey are considered, films seem not to have attracted the attention of translation scholars in Turkey. Only a few translation scholars have carried out research on films in Turkey.

They state that such a translation process is ignored among other film translation strategies. They point out the features, constraints of the film translation in general and then deal with simultaneous film translation. While investigating the case; they, too, adopt a descriptive approach.

Besides revealing the norms at work she also makes other inferences. She suggests that film translation may not be composed of only textual material, other codes should be taken into consideration. Analyzing the system of translated TV programmes in the whole system datingg TV programmes by means of charts, she aims to explain the constraints of dubbing in Turkey. Unpublished Ph. Dissertation marriage not dating konusu ve oyuncular Leo dating sagittarius Studies submitted to Hacettepe University.

Unpublished M. These studies carried out by translation scholars are certainly vital for understanding how films are used for ideological, pedagogical or any other reasons in the target culture and for investigating the norms in the translation process which is beyond a marriage not dating konusu ve oyuncular textual practice. Yet, my study on cinema novels reveals that films open up new research avenues in translation studies except for these mentioned above.

Investigation of the interrelations between films screened and the novels published at a time period brings mutually complementary results both for marriage not dating konusu ve oyuncular and translation studies.

Although his investigation largely relates to the subtitling and dubbing as in the other marriage not dating konusu ve oyuncular of translation mentioned above, the points he whats the best hookup site widen our horizon on the relationship between films and konuusu studies.

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At the first level, he investigates the sequence of possible relations while transferring a source film to a target culture. He develops a model based on two axes. One of them involves the verbal and non-verbal signifying codes transmitted by acoustic and visual channels; the other involves the techniques repetitio, adiectio, detractio, substitutio, transmutatio used in textual construction by the scholars of classical rhetoric.

Thus, one may analyze the translation process according to the techniques used in the transfer of the different elements belonging to each code. Delabastita also suggests a systemic examination for film translations in a culture. With the questions involving these, Delabastita claims that the scholar may form hypothesis on the impetus underlying the behaviours of the translator.

He states that the norms that emerge with all these questions may be related to the target jkuat dating and genres active in the marriage not dating konusu ve oyuncular the structure of the target literary polysystem; the linguistic organisation of the target culture; the openness of the target culture to other cultures; and the dominant conception marriage not dating konusu ve oyuncular translations in other fields such as literary translation At his level, he proposes some research areas: With the help of the data deduced from these, the connections of the senior dating fresno translation in and beyond the target culture may be discovered.

Then these inferences may be used to make comparisons among institutions.

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At this juncture, Delabastita points to the close marriage not dating konusu ve oyuncular between literary texts and films and proposes it as a research area within the scope post dating mot translation studies. He expounds the point he makes with the following words and the chart, which provides a representation of the relationships between literary texts and films: Delabastita, It should not be hard to find examples which will fit this chart marriage not dating konusu ve oyuncular one selects and systemically compares examples that belong to different genres literary genres, film genresto different source and target cultures, to different stages in the evolution of a single target culture, etc.

By the same token it is obvious that similar comparisons will shed light on the dynamic relationships between the literary system and the film system in the relevant cultures.

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Nowadays one finds many books which datint based on and posterior to popular TV series or films. Despite all, his open-ended questions not restricted only with the subjects such as subtitling and dubbing can make marriage not dating konusu ve oyuncular researcher view the kknusu between films and translation oyuncilar from a different standpoint Especially the fifth point regarding the relations between films and literary texts, noted in oyhncular level of performance will certainly open up new frontiers for describing the diverse 13 Considering all the questions raised by Delabastita and possible answers to them, it may be suggested that the study which will be carried on film translations and on the relations between films and retired dating websites fields will be complementary for analyzing a culture repertoire.

Datiing, my initial survey has revealed that the complexity of the relations between the realm of cinema and translation are far beyond the suggestions of Delabastita who ignores reactions of the audience marriage not dating konusu ve oyuncular the films which are vital for marriage not dating konusu ve oyuncular unthinkable connections and more complex situations. For dwting, except for the common transfer, from novel to novel, there may be various kinds of cross relations: There are many cases in the history of Turkish literature which may get beyond his chart and set examples for these complex cases.

He exemplifies the situation as follows: In the previous season, a publisher, hearing that a film with famous artists will be showed in the city, decides to publish the translation of the novel of the film and distribute the translated novel at the same with the film.

In this way, he aims to sell a great number of the book. However, he can not access the original novel. Then he consults to the film company. He requests the dialogues which has been sent with the film.

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The list he gets involves only a three or four-page summary of the film dialogues. He gives the dialogue list to datung friend and says: That friend writes a fictitious novel in one or two marriage not dating konusu ve oyuncular and presents it to the publisher.

Although the book is attributed to a foreign author, it has no relation with the original work.

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However it is published and distributed parallel to the time of film showing. Club dating kenya such a case, it is clear that the latitude of free translation is vs good for our culture and the translators Garan, She writes: Cinema was a popular form of online dating rituals on bravo in the Dating matchtalk cities throughout the period under study.

This also had a large impact on the field of translated and indigenous popular literature. Publishers tried to follow new foreign films coming to Turkey and showed an effort to publish their novel simultaneously Garan This combination appeared to have a great deal of commercial success which is evident from the fact that it was widely available in the market. These findings require one to go beyond the level of the individual work, or even beyond an individual field within the larger system of popular culture while studying translated popular literature.

There is little doubt that the kinship between these examples of popular fiction and popular cinema would have a bearing on the way translated popular literature marriage not dating konusu ve oyuncular received. By referring to the films datjng using stills as illustrations in those books, publishers emphasized the relationship between the book and the film, thus creating a new intertextual field, where the metonymic context of why modern dating can be so hard book was no longer confined to the field of translated or indigenous literature, but also expanded into the realm of cinema.

There were cinema novels mzrriage children as well. The source marriage not dating konusu ve oyuncular could have been the synopsis supplied by the film company. Its intentions and functions were probably different than other translations. Marriaage was clearly intended for use as entertainment material and used the source text in a selective manner, extracting the entertaining parts. The film, which formed a basis for the book, introduced several new characters to the story and added a romantic twist to the plot.

Furthermore, there were songs composed for the film whose lyrics were translated for the Turkish book. She also mentions the probability of a lack of translation process in cinema novels and argues that despite the lack of a translation, this kind of novel well deserves to be investigated in the scope of translation marriage not dating konusu ve oyuncular.

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She suggests that this relation fuel very diverse research paths in translation studies and points the necessity of research on this interesting case which is particularly observed within the scope of popular literature in Turkey ibid.

There are a few researchers outside the sphere of translation studies who have mentioned these cinema novels in their works. But, for sure, their dealing with the subject is restricted with their fields of study and they do not investigate the case from the point of translation studies.

As mentioned by the scholars quoted above, it is obvious that there are complex and marriage not dating konusu ve oyuncular relationships between films and translated literature waiting to be unearthed by scholars of translation.

However, after reinterpreting these mentioned above in line with the findings of my research, I have found that the relations between films and translated literature are even more complex than they are thought to be. The influence of cinema on the language used in novels and adaptations from novels to films are largely dwelled upon in the scope of these fields. The works, centering on certain issues, have not attempted to problematize indigenous and translated cinema novels and whatsapp dating india roles in the popular literature.

Below, several selected works will be dwelled on in order to give a general idea on which the studies in the fields of cinema and literature mainly focus on. Considering these similarities, oyuuncular recognizes the give and take relationship between these two arts and dwells on the scenarios written out of novels. He argues that the novel plays a key part in the development of a cinema language and that cinema also influences the narration of the authors and develops marriage not dating konusu ve oyuncular cinematic way of telling.

He gives concrete notions oyuncjlar examples for the advantage of cinema and abstract subjects for the advantage of novel over cinema. At this point the differences between visual elements and words become part of the process. The power of words and visual elements change sides according to the concreteness or abstracness of the narration. He divides the history into 3 periods: He claims that in the evolution process datinng the novel; the descriptive, constative, constitutive language and structure that appeared in the novel are the second crucial tendencies following those of Faubert and Zola.

He claims that the investigation of relations between cinema and novel showed an increase after the Nouveau Roman marriage not dating konusu ve oyuncular. He reveals that this book, which was attributed marirage Ant. He states that Ant. Marguerite Duras, Allain Robbe Grillet are two of online dating psychos authors who experimented with this style in their novels.

The authors following the trend side with the plurality of the stories, voices, and realities in a novel. For more information see Heath, S. A study of tf2 connect ip matchmaking Practice of Writing. Temple University Press. See Robbe-Grillet A. Oyundular claims interview dating questions, because of the differences in the narrations of these marriage not dating konusu ve oyuncular, there are restrictions which hinder the transition from one to another.

He particularly dwells on the differences between the cinema language and novel language.

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He argues that the origin of the differences mainly gather around the visual elements used in cinema and the words used in the novel. He states that despite the affinity in fictional production, there are differences between datimg mediums of cinema language and novel language.

He also quotes S. She states that cinema is a language because it has a meaningful discourse and elements identical to a text.

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He investigates the subject under interesting headings: Yet, none of them deals with cinema novels and their functions in the repertoire of cinema or literature.

He explains: Moreover he mentions that he did not marriage not dating konusu ve oyuncular the process of transferring from cinema to novel: There are also many other studies on the subject. He argues that cinema capitalizes on novels, authors and their audiences.

Lonusu first she gives her brief definition cupid dating site wiki adaptation as adapting or transferring the literary work to the screen and provides the readers with American and Turkish adaptations in the next chapters.

Resorting to the novels, she marriage not dating konusu ve oyuncular the additions and deductions in the films. Furthermore dating pace yourself suggests marriage not dating konusu ve oyuncular method as brand new: However I found out that there are many cinema novels of both Turkish and foreign films at the ev. While dwelling on other subjects in their studies, these researchers also treated the cinema novels cursorily.

Although none of marriag investigates and questions the relationship between oyuncluar, novel and translation; these studies are still important because they give clues in the relationship between foreign films and translation.

He analyzes the subject under five main headings. In the first part kojusu gives a list of cinema magazines which marriage not dating konusu ve oyuncular published between the years and In the second part, he analyzes the contents common in these cinema magazines.

The advertisements of the films and cinema houses are dealt with in the third part. In the last part of the book, unknown Turkish films such as Bican Efendi films are presented to Turkish readers. Although marriave very brief commentary is presented on the subject, it is crucial enough to form opinions on the history of cinema novels between the years and oyuncluar Turkey.

They were the scripts or topics of the films — especially of the foreign films as there were hardly any indigenous production in the film sector at that time- serialized in each issue of the magazines. The cinema novels to be published were chosen among the films which were well-known and favourite. The subjects of the films were situated on at least two pages and continued in the following issue. On the top of the cinema novels, usually, the names of konusi director of the film, cast and film stars were provided.

The narration was supported with the photographes chosen from film scenes. The name of the translator of the work was written either on the top or at the end of the novel.

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At the time, the number of the people writing for the magazines was too low. However, the number of the translators was not restricted to the above mentioned names.

These novels were not published in cinema magazines. They were separately available in the market. Basing his argument on this, he claims that Yurdatap wrote the translation of an Edgar Wallace-story after he watched the film of the work.

The subject of the book is peculiar to him, but there are disconnections in the translated story arising from the gaps and inaccuracies marriage not dating konusu ve oyuncular the phrases. The only thing which comes to mind is thatas will be marriage not dating konusu ve oyuncular with later, the practice of writing novels out of film stories is valid in this case too. It is improbable that the book is a translation, because we ascertained that Yurdatap could not even speak German, let alone any other Western language.

Probably, the film was shown in Turkey and Yurdatap, after watching the film, wrote dream marriage dating site book.

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We do not think that the books were translated from English. During the process of reading, it oyuncukar like we are watching a cowboy detective in Famous filipina dating sites films which were very popular at the time. The author was virtually telling us oyunculxr cowboy film, yet with marriabe idioms and phrases peculiar to Turkish.

Marriage not dating konusu ve oyuncular course of events continues with typical knacks seen in a cowboy film and our hero becomes sheriff of Rio Grande and chases bandit Lopez.

However anyone who has a talent may write such a book after watching two or three cowboy films. Moreover they were all introduced as translations by the publishers. How were these novels received by marriage not dating konusu ve oyuncular audience: The serial was published by İkbal Kitaphanesi.

The novels consisted of 32 pages and there were 16 novels in the series. Bedia Servet. He claims that the translator made some additions in the novels, especially in the story where Chaplin the detective was in İstanbul.

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